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"Very good," says Mona, indifferently, after which the woman, having straightened a cushion or two, takes her departure. The chief ghost said to them, "Now pity this son-in-law of yours. He is looking for his wife. Neither the great distance that he has come nor the fearful sights that he has seen here have weakened his heart. You can see how tender-hearted he is. He not only mourns because he has lost his wife, but he mourns because his little boy is now alone, with no mother; so pity him and give him back his wife." He has stooped very much over indeed. His hand is on the fern; he has safely carefully extracted it, roots and all (one would think I was speaking of a tooth! but this is by the way), from its native home, when cr-r-k goes something; the branch on which he rests betrays him, and smashing hurls him head downwards into the swift but shallow stream below..
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He says this quickly, yet fearfully. If she should take his proposal badly, what shall he do? He stares with flattering persistency upon a distant donkey that adorns a neighboring field, and calmly awaits fate. It is for once kind to him. Mona, it is quite evident, fails to see any impropriety in his speech. The morning wanes, and luncheon declares itself. When it has come to an end, Mona going slowly up the stairs to her own room is met there by one of the maids,—not her own,—who hands her a sealed note. "How can I go," he says, without daring to look at her, "until, at least, I ask for forgiveness?" He feels more nervous, more crushed in the presence of this little wounded Irish girl with her pride and her grief, than he has ever felt in the presence of an offended fashionable beauty full of airs and caprices. "Mona, love makes one cruel: I ask you to remember that, because it is my only excuse," he says, warmly. "Don't condemn me altogether; but forgive me once more." Taking up the hapless heather, she throws it on the ground, and, in a fit of childish spleen, lays her foot upon it and tramples it out of all recognition. Yet, even as she does so, the tears gather in her eyes, and, resting there unshed, transfigure her into a lovely picture that might well be termed "Beauty in Distress." For this faded flower she grieves, as though it were, indeed, a living thing that she has lost..
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